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Some U. His son, Jonathan, is also gay. Dallas Mavericks owner Mark Cuban sits on the advisory board of Athlete Ally, a nonprofit targeting homophobia in sports.


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Of course, not all high net worth parents are as supportive. Being wealthy does not necessarily make it easier to publicly identify as gay. Thiel, who joined the Forbes Billionaires list in based on the returns of his hedge Clarium Capital and an investment in Facebook, only came out to his friends in , according to The New Yorker.


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He would have been 35 at the time. According to our industry categorizations, billionaires derived their wealth from finance or investments in By our reckoning, Thiel is the only one who is openly gay. Of course, some countries are more equal than others in terms of gay rights, which might explain why nations with the second- and third-highest number of billionaires — China, , and Russia, — do not list a single LGBT billionaire. Have we left anyone off? Classroom resources for teachers.

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Courses, training and conferences for teachers. BFI Film Academy. About BFI Education. Film industry statistics and reports. Future learning and skills — giving everyone the opportunity to build a lifelong relationship with film.

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I want to…. Browse our education events. Use film and TV in my classroom. Read research data and market intelligence. Alex Davidson Updated: The Adventures of Priscilla, Queen of the Desert BFI Flare: While same-sex marriage was only made legal in Australia in , the country has a fairly strong record on LGBT rights, and Sydney is one of the most gay-friendly cities in the world.

Australian cinema has had a rather strange relationship with male homosexuality. The Set is the first Australian film with homosexuality as a central theme, while gay men appeared in sexploitation favourites such as Australia after Dark and The ABCs of Love and Sex: Australia Style , in which H was for homosexuality.

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Mad Max 2: The Road Warrior featured a gay villain the leather-clad Wez, enraged by the slaying of his lover , while more sympathetic homosexual characters appeared in prison drama Stir and family melodrama Mull The s were a golden era for gay Ozzie films, while the new millennium has seen a glut of low-budget gay surfer dramas, including the easy-on-the-eye Newcastle , the nihilistic Drown and the downright bizarre Tan Lines Homosexuality was catnip to many of the filmmakers behind the wave of sexploitation documentaries that flourished in Australia in the s, which often served as an excuse to show titillating shots of lesbians getting down to business in the bedroom.

Gay men, if they appeared, were usually shown as unsympathetic, bitchy queens. Not so in The Naked Bunyip, the grandfather of Australian sexploitation, in which a lengthy segment is devoted to a gay male dock worker, who talks candidly about his life. The film itself is a strange mix of high comedy Edna Everage makes an early appearance , slapstick, sensitive studies of social issues and grim references to back-street abortions and gang rape.

In this modern classic, a potent and disturbing story of an effete teacher Gary Bond who, stranded in the outback when he gambles away his money, falls in with a menacing group of locals and Doc, an eccentric alcoholic outsider played by Donald Pleasence. In this fun and bawdy combo of saucy comedy and sex education aid, we dip into a day in the life of a VD clinic, where a laid-back doctor Chris Haywood and a prudish medical student Simon Burke tend to patients of all walks of life, from frank sex workers to ashamed housewives, from promiscuous gay men to cheating husbands.

The moments of drama between the knob jokes and sight gags make The Clinic , a film seldom appraised outside of Oz, an unpredictable and very enjoyable viewing experience.

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The Everlasting Secret Family is one such film, an often homophobic tale of a young man who becomes determined to climb the social ladder and live the high life when he becomes the object of desire of a closeted homosexual politician. As the boy only one character in the film is given a name grows older, he loses the currency of his youth and risks being expelled from the wealthy life to which he is has become accustomed. But he has a cunning plan that the senator does not see coming…. Approach with caution. All the more surprising, then, that despite all the fabulous frocks and sharp oneliners, the film is also very moving, not least in its character of Bernadette Terence Stamp , a trans woman grieving the death of her lover who, it is hinted at the end, may find love in the arms of the friendly mechanic the three queens meet on their road trip.

Although this kinetic exploration of masculine identity crisis was a critical hit, it polarised Greek-Australian audiences according to Kokkinos, who noted that older viewers were uncomfortable with the perceived rejection of traditional Greek values. Another Christos Tsiolkas story, and a very dark and sinister one.

For much of its length, the film feels very post-gay; Isaac Ewen Leslie , our antihero, a moody Greek Australian who unearths some unpalatable family secrets when he returns to Greece following the unexpected death of his father, is certainly not defined by his homosexuality. What starts as a family drama rapidly slides into horror terrain, and the appearance of a strange, wan boy Kodi Smit McPhee triggers a descent to the dark side.

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Rich Gay, Poor Gay

He is dragged into a nightmarish gay underworld, leading to a shocking ending that arrives like a punch to the gut. Director Tony Krawitz conveys an oppressive, almost Lynchian mood of approaching menace, and the cities of Athens, Paris and Budapest have rarely seemed as unnerving. This lovable gay teen drama transcends its low budget and a couple of wonky supporting performances to emerge as a highly winning tale of first love. The plot itself is a gay staple: Mike Tristan Barr develops a crush on William Lucas Linehan , the new boy at school, and the two are assigned to work on a project together, a video reimagining of Romeo and Juliet.

Barr gives a performance of great charm as the goofy, gawky teenager clumsily finding first love. While the final 20 minutes veer into melodrama, overall this is the best of the recent spate of Australian gay teen dramas, and the nearest thing to an Antipodean Beautiful Thing.